Smokestack Lightnin' Home Page -- The Blues Profile Page
Blind Boy Fuller (born Fulton Allen) (July 10, 1907 - February 13, 1941) was an American blues guitarist and vocalist. He was one of the most popular of the recorded Piedmont blues artists with rural Black Americans, a group that also included Blind Blake, Josh White, and Buddy Moss.
Fulton Allen was born in Wadesboro, North Carolina to Calvin Allen and Mary Jane Walker. He was one of a family of 10 children, but after his mother's death he moved with his father to Rockingham. As a boy he learned to play the guitar and also learned from older singers the field hollers, country rags, and traditional songs and blues popular in poor, rural areas.
He married Cora Allen young and worked as a laborer, but began to lose his eyesight in his mid-teens. According to researcher Bruce Bastin, "While he was living in Rockingham he began to have trouble with his eyes. He went to see a doctor in Charlotte who allegedly told him that he had ulcers behind his eyes, the original damage having been caused by some form of snow-blindness." However, there is an alternative story that he was blinded by an ex-girlfriend who threw chemicals in his face.
By 1928 he was completely blind, and turned to whatever employment he
could find as a singer and entertainer, often playing in the streets. By
studying the records of country blues players like
Blind Blake and the
"live" playing of Gary Davis, Allen became a formidable guitarist, and
played on street corners and at house parties in Winston-Salem,
Danville, and then Durham, North Carolina. In Durham, playing around the
tobacco warehouses, he developed a local following which included
guitarists Floyd Council and Richard Trice, as well as harmonica player
Saunders Terrell, better known as Sonny Terry and washboard
player/guitarist George Washington.
Over the next five years Fuller made over 120 sides, and his recordings appeared on several labels. His style of singing was rough and direct, and his lyrics explicit and uninhibited as he drew from every aspect of his experience as an underprivileged, blind Black person on the streets—pawnshops, jailhouses, sickness, death—with an honesty that lacked sentimentality. Although he was not sophisticated, his artistry as a folk singer lay in the honesty and integrity of his self-expression. His songs contained desire, love, jealousy, disappointment, menace and humor.
In April 1936, Fuller recorded ten solo performances, and also recorded with guitarist Floyd Council. The following year, having auditioning for J. Mayo Williams, he recorded for the Decca label, but then reverted to ARC. Later in 1937, he made his first recordings with Sonny Terry. In 1938 Fuller, who was described as having a fiery temper, was imprisoned for shooting a pistol at his wife, wounding her in the leg, causing him to miss out on John Hammond's "Spirituals to Swing" concert in NYC that year. While Fuller was eventually released, it was Sonny Terry who went in his stead, the beginning of a long "folk music" career. Fuller's last two recording sessions took place in New York City during 1940.
Fuller's repertoire included a number of popular double entendre
"hokum" songs such as "I Want Some Of Your Pie", "Truckin' My Blues
Away" (the origin of the phrase "keep on truckin'"), and "Get Your Yas
Yas Out" (adapted as "Get Your Ya-Yas Out" for the origin of a later
Rolling Stones album title), together with the autobiographical "Big
House Bound" dedicated to his time spent in jail. Though much of his
material was culled from traditional folk and blues numbers, he
possessed a formidable finger-picking guitar style. He played a steel
National resonator guitar. He was criticised by some as a derivative
musician, but his ability to fuse together elements of other traditional
and contemporary songs and reformulate them into his own performances,
attracted a broad audience. He was an expressive
vocalist and a masterful guitar player, best remembered for his uptempo
ragtime hits including "Step It Up and Go." At the same time he was
capable of deeper material, and his versions of "Lost Lover Blues", "Rattlesnakin'
Daddy" and "Mamie" are as deep as most Delta blues. Because of his
popularity, he may have been overexposed on records, yet most of his
songs remained close to tradition and much of his repertoire and style
is kept alive by other Piedmont artists to this day.
He was so popular when he died that his protégé Brownie McGhee recorded "The Death of Blind Boy Fuller" for the Okeh label, and then reluctantly began a short lived career as Blind Boy Fuller No. 2 so that Columbia Records could cash in on his popularity.
Blind Boy Fuller has been recognized on two different plaques in the City of Durham. The North Carolina Division of Archives and History plaque is located a few miles north of Fuller's gravesite, along Fayetteville St. in Durham. The City of Durham officially recognized Fuller on July 16, 2001, and the commemorating plaque is located along the American Tobacco Trail, adjacent to the property where Fuller's unmarked grave is located (several hundred feet east of Fayetteville St.).