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The Blind Boys of Alabama, featuring Clarence
Fountain, have been pilgrims on the gospel highway for nearly sixty
years. The seeds of the group took root among friends singing informally
in 1937 at Alabamaís Talladega Institute for the Deaf and Blind.
Fountain, not yet in his teens, was singing in the Glee Club when he
enlisted his friends Johnny Fields, J.T. Hutton, Ollice Thomas, George
Scott and Vel Bozman Traylor into a group called the "Happy Land Jubilee
Singers." Except for Hutton, all of them were blind.
To compete with another blind gospel singing group called the Five Bind Boys from Mississippi, the group changed their name in 1950 to the Five Blind Boys of Alabama. These two Blind Boys groups would square off in epic battles of hard Gospel shouting which provoked pandemonium in their audiences. During the 1950ís the group recorded for Art Rupeís Specialty label. Fellow label mate Sam Cooke, who had recently left the "Soul Stirrers" to pursue a secular musical career, encouraged them to leave the Gospel singing and join him in the more lucrative pop field. The Five Blind Boys never strayed from their path however, continuing to tour and record for Vee Jay throughout the 1960ís.
Fountain left the group during the 1970ís but rejoined them before they achieved greater success with their Broadway performance in the "Gospel at Colonus." With over 20 albums released since 1948 the Blind Boys recorded their first live album at the House of Blues in 1995. "I Brought Him With Me" has received world wide acclaim and captures Fountain in peak form with the groupís gritty, revival-style, "I dare you not to get up and dance" enthusiasm. The Blind Boys of Alabama easily slip between blues, Christian pop-soul and a cappella harmony. In fact, The Blind Boys of Alabama combine astonishing harmonies with stately fervor that manages to be both dignified and ecstatic at the same time. Like a freight train gathering speed, The Blind Boys of Alabama take their sold out audiences on a richly rewarding musical journey that often ends with the crowds, clapping, shouting and dancing in the isles.