daring, incendiary and soulful style is a distinctive hybrid. He weaves
rock, gypsy-jazz, country, folk, and blues-- especially blues-- into a
tapestry of melody, harmony and daredevil solos that push those styles
to their limits without sacrificing the warmth of his own personality.
Peter calls his approach "soul guitar," an appellation that alludes to
his playing’s depth of feeling and character, as well as its deepest
roots in classic American music. But Peter’s sensibilities are equally
attuned to the future.
Peter’s journey as a
musician began when the Vietnam War erupted and he graduated high
school. With the blessings of his mother and the help of a family
friend, he relocated to London, England, and found himself in the thick
of the British Blues explosion.
"I got real lucky," he recounts. "Whenever I could afford it or sneak
in, I could see Eric Clapton, Jeff Beck and Peter Green in clubs, as
well as many other great guitarists who were on the scene, but never
made it big.
Daunted by the six-string virtuosity on display all around him, Peter
put down his guitar to sing and blow harmonica and joined a band,
playing rooms like the famed Marquee Club — one night on a bill with the
Pink Floyd. But fate intervened. He was returned to the States for lack
of a British work permit.
Once back in Middletown, CT, Peter began witnessing great American blues
artists in concert: Skip James, Muddy Waters, Albert King, Jimi Hendrix,
B.B. King, Albert Collins, Buddy Guy. "I would sit as close as possible
so I could see exactly what they were doing on the guitar," he says. "It
was an amazing education."
Decades later, he would receive a superlative from Guy. "I met some
people who knew Buddy and took me to his dressing room after a show,"
Peter says. "I felt a little out of place, because I didn’t really know
anybody. So out of nervousness, I guess, I just absent mindedly picked
up one of Buddy’s guitars, unplugged, and started playing. After a while
I realized the room was quiet and I looked up, and Buddy was watching me
with his finger pressed to his lips for silence.
"You’re as bad as Eric Clapton," Guy remarked. "And I know Eric
Peter, who is remarkably modest about his virtuosity, says he didn’t get
serious about his instrument until he moved to Massachusetts. "That’s
when I developed from a guitar owner to a guitar player, by practicing
eight to 10 hours a day," he explains.
Between jobs as a school counselor and instrument salesman, Peter joined
his first serious band, Boston’s Nine Below Zero. Their visceral take on
classic and original blues won them regional acclaim and led to Peter
playing on recordings for the piano legend Pinetop Perkins and a stint
as Perkins’ touring bandleader.
"It was an amazing time," Peter relates, "and it inspired me to take the
reins of my own music and form a band."
"What I try to bring
to any music I play, but especially to blues, is something I learned
from Skip James when I saw him perform at Wesleyan University in the
’60s," says Peter. "He played beautifully, with real elegance, and
conducted himself in a gentlemanly manner. But people kept talking, so
at one point he stopped playing and announced, ‘Mr. Skip would
appreciate it if you would stop perambulating when he is expressing.’
And then he left until things quieted down.
"That made something
click in me. Skip showed me that it was right to play blues with dignity
and style, and to express and conduct yourself as an artist. He
obviously put his entire soul into what he was doing on a lot of levels.
And that’s what I try to do whenever I pick up a guitar."
Be sure to see Peter
pick up his guitar with the Peter Parcek 3, as he channels his “soul
guitar” sound in explosive live performances throughout the greater
Boston area and beyond.